BWAKAW
DIRECTED BY: JUN ROBLES LANA
Finalist, Directors Showcase
2012 Cinemalaya Independent Film Festival and Competition
Casts:
Eddie Garcia as Mang Rene
Princess as Bwakaw
Rez Cortez as Sol, a maton tricycle driver
Gardo Versoza as Father Eddie
Armida Reyna as Alicia, the ex girlfriend of Mang Rene
Soxy Topacio childhood friend of Mang Rene, Zaldy
Joey Paras as Tracy
Beverly Salviejo as fanatical neighbor Nitang
Luz Valdez as lonely mother Melba
Rene is a gay man who came out of the closet at age 70. Ailing in his twilight years, he thinks it is now too late for love, even companionship, and that all there is to look forward to his Death. He has made a will, bequeathing his few possessions to his even fewer friends. Everything is packed and labeled, ready for distribution. He has even paid for a coffin, taking advantage of a funeral home’s Summer Sale. Nowadays the only companion Rene has is Bwakaw, a stray dog that hangs around his house and follows him wherever he goes. As Rene waits for the day of his death, he gets the surprise of his life when it is Bwakaw who suddenly falls ill. And from there, he became close with one of the tricycle drivers in the town, Sol. They go together every time Bwakaw has to have a check-up. Sol even had a sleep over at Mang Rene’s house; they eat together, clean the house together, and drink together. Then the night has come that Bwakaw died. So Mang Rene and Sol were only left in the house. Finally Mang Rene got inlove with Sol. While Sol was sleeping, Mang Rene kissed Sol. Sol woke up and was so surprised of what happened. He left Mang Rene because he knows Mang Rene is a gay.
I. Director’s way of explaining the events of the story
Director Jun Robles Lana portrayed the events of the movie by using the basic plot with the sequence:
1. Introduction- Mang Rene was all alone in the house with his dog sleeping downstairs, named Bwakaw. And there was Mang Rene's neighbor who has a grandchild who suffers from lung cancer. His neighbor borrowed the holy indulgence that Mang Rene has, and while he was talking to Rene, he said that his dog, Bwakaw, doesn't even know how to bark. He said he used to stay downstairs where Bwakaw stays too, but Bwakaw didn't give even a single bark . Mang Rene's neighbor came back to his house to give thanks because the grandchild survived from cancer, but as Mang Rene opens the door, it seems that he was so irritated.
(In this scene, Mang Rene, and Bwakaw were introduced. Bwakaw as a silent dog, and Mang Rene as a bad-tempered old man.)
Mang Rene and Bwakaw were on the road, waiting for a tricycle to ride on. And there he met Sol, a maton tricycle driver who forces Mang Rene to pay for his dog too.
(In this scene, Sol was being introduced)
Mang Rene and Bwakaw went to the parlor. And there was the owner of the parlor, Zaldy, a childhood friend of Mang Rene.
(Zaldy was being introduced
- Characters are introduced by different scenarios that are connected to one another.
2. Rising Action- Mang Rene became close with Sol because of Sol’s help to rescue Bwakaw at the veterinarian. They used to be always together . Until one night in Mang Rene’s house, the two friends were talking about why Mang Rene stayed single. Mang Rene answered in a naughty way. They were drinking alcohol by that time and suddenly fell into sleep.
(complications came)
3. Climax- . After several hours, Mang Rene woke up. Then when he stood up, he went back to sit and stare at the face of Sol. Then suddenly, Mang Rene kissed Sol on the lip. Not just once, but a lot of times.Sol woke up because of unusual feeling that bothers him.
(This part has the highest tension)
4. Falling Action- He shouted at Mang Rene saying that Mang Rene is a gay. The expression of the face of Mang Rene was like he really doesn’t know what to say. And then, Sol went downstairs, went in to his tricycle and left Mang Rene.
(End of resolution)
4. Ending- Mang Rene was walking outside and saw Sol riding in his tricycle. Sol doesn’t even offer a ride with Mang Rene.There is no Sol for Mang Rene at all, even his dog Bwakaw.
II. Editing
- The movie flow smoothly from scene to scene.
A. Lightning
- Diffusion was being used when Mang Rene and Bwakaw was on the seaside. This is to increase the drama of Mang Rene, being all alone.
B. Camera Movements
-Tracking was being used when the tricycle hurries up to go to the veterinarian. This is to show the speed of the tricycle as it goes.
C. Camera Position
- Long shot is used for introducing Mang Rene and Bwakaw. They were on the road, waiting for a tricycle to ride on. In this scene, it shows that Bwakaw was so attached with Mang Rene.
Long shot is used when Mang Rene threw off Sol's cup of coffee. This is to emphasize how the cup broke down.
Long shot is also used when Minda saw the delivery of Mang Rene’s coffin. The purpose of this is to show how the boys lift the coffin, or simply their body movements.
- Close up was being used as Mang Rene gets his face closer to Sol’s. This is to increase the thrill.
- Medium shot was being used is used when Mang Rene lied into his coffin. This is to show how comfortable Mang Rene was (as what he had said in the movie)
Medium shot was also being used while Mang Rene goes to the priest. This is to also to consider showing the list or last will that Mang Rene holds in his hand.
D. Camera Angles
- High angle was being used when Bwakaw and Mang Rene sleeps together. This is to show the whole body of Bwakaw as it goes weak until she dies.
- Eye level was being used when Mang Rene talks with Father Eddie about his last will.
Eye level was alsobeing used when Mang Rene and Sol were talking about Mang Rene’s life.
-Low angle is used when the friends of Mang Rene were crying over him. This is to show how they bent their upper body down as they touch the coffin.
III. Costume and Props- clothing choices fit the style of the movie. They contributed to the overall tone of the movie.
A. Tricycle- symbolizes as the start of the friendship of Mang Rene and Sol
B. Blanket- symbolizes the ear ending of Bwakaw
C. Coffin – symbolizes the waiting of Mang Rene to his death.
D. Oranges – symbolizes Mang Rene’s care to his ex girlfriend, Alicia.
D. Alcohol (drink) - symbolizes the deep friendship of Mang Rene and Sol.
- also symbolizes the secret feelings of Mang Rene to Sol.
IV. Evaluation
The script is good. It is somehow dedicated to elders and gays. Eddie Garcia was a very good actor. He did his best to play his role. He came along with using gay words to fit into the theme of the movie, and he said it very well. The Parloristas were entertaining; they gave a lot of laughter to the audience. And of course, Bwakaw, acted very nice. The audience felt the loyalty of Bwakaw to Mang Rene.
The movie shows real life situations and on how their life is being. Plus, the movie gives the audience the value of respect to the elders, bad-tempered or not. It also has the moral of taking a chance; don't the things/people you have in your life for granted.
INTOY SYOKOY NG KALYE MARINO
DIRECTED BY LEMUEL C. LORCA
Finalist, New Breed Full Length Feature Category
2012 CINEMALAYA INDEPENDENT FILM FESTIVAL AND COMPETITION
Casts:
JM de Guzman as Intoy Syokoy
LJ Reyes as a Doray
Joross Gamboa, Arnold Reyes, Roy Alvarez, Kristoffer King, Richard Quan, Angela Ruiz, Jacob Miller, Ricky Pascua, Redgie Jimenez, Justin de Leon, and Kenneth Salva.
Intoy has had the hots for Doray since they were kids in Kalye Marino, Cavite City, formerly the American Naval Base in Sangley Point. Both marginalized as the long-lasting effect of American abandonment of the said base, Intoy has become Kalye Marino’s best “tahong” caretaker-with-no-angst-about-poverty, while Doray a cheap prostitute-with-no-guilt, tending to her siblings’ needs. Intoy strives to have his own cages of “tahong” so he can have Doray, not for just a night of quickie sex, but forever.
I. Director’s way of explaining the events of the story
Director Lemuel Lorca portrayed the events of the movie by using the basic plot with the sequence:
1. Introduction
There were a group of friends in the Kalye Marino that was celebrating. Their different lives were showed as well. The circle of friends were always together, almost every night that they drink and talk about their problems in life, such as the future that they will go into, how their family left them, how they survive in each day, and of course, they also talk about Intoy’s toomuch care to their friend, Doray.
(In this scene, talking about their lives were also as to introducing theirselves)
2. Rising Action
Intoy’s father was too much drunk because he caught his wife having sex with another wife. Because of too much alcohol Intoy’s fathers lose control that lead him into an accident. Her mother left her after the incident leading into Intoy’s independent life. While on the other hand, Intoy's friends has a problem too, like one of the father of Intoy's friends was beheaded, the other was pulled out of their house, then Doray became a prostitute.
Intoy planned to commit a suicide, then.
(In this scene, complications came)
3. Climax
Because of too much problem and pain, Intoy drowns himself in the water.
(In this scene, the highest tension was felt, the audience has 50-50 in their minds whether Intoy will die or will still continue his life)
4. Falling Action
Intoy’s friends comforted him and told him not to give up. Inot moved on to his problems in life and chose to continue. Suddenly, he liked Doray and is willing to take her out of Kalye Marino even knowing Doray is a prostitute and has a disease.
(Solutions came)
4. Ending
Eventhough Doray has a disease; still Intoy chose to be with her.
II. Editing
- The movie flow smoothly from scene to scene.
A. Lightning
- Intensity of the lightwas being used in exposing the Kalye Marino to focus on the environment.
- Diffused light was being used to show the dramatic scenario. There is no contrast between the two front planes. Instead, start the lighting slowly, one light at a time. This light was used when Jm De Guzman and Lj Reyes were talking about their lives at the seaside.
B. Camera Movements
- In the beginning, the Kalye Marino is introduced. The movement of the camera was panning, in order to show the image of the sea.
C. Camera Position
- Medium shot was being used in introducing the characters which was seen during the birthday celebration of one of members of their group.
- Close up was being used in focusing Intoy’s face as he was sleeping and suddenly woke up knowing that her mother is leaving. Intoy’s emotion was exposed.
- Long shot was being used when Intoy planned to drown himself. In this scene, Intoy’s body movements were shown clearly; from the moment that he jumped into the water up to helping himself to save his life. Long shot is also used when the father of Intoy caught her wife having sex with another man. This is for the purpose of the viewers to view the view of the Father from the slightly-opened door.
D. Camera Angles
- High angle was being used when Intoy was drowning in the water. By using the high angle, head to foot,Intoy’s movements were uncovered. Plus, the high angle is also used when Joross Gamboa attacked the woman who gave him a disease. The camera was on the woman and it was on high angle to show how she fears Joross and for the viewers to see the view of the actor in that particular scene.
- Eye level was being used when Intoy and Doray were talking about their plan on leaving Kalye Marino(seen in last part) to show their emotions
III. Costume and Props- clothing choices fit the style of the movie. They contributed to the overall tone of the movie
A. Balsa- symbolizes the life of the people in Kalye Marino.
B. Doray’s lipstick- symbolizes that Doray is about to enter in prostitution.
C. Mussels- symbolizes the hope to a new life for Intoy.
D. Coin(when Doray gave money to her siblings) – symbolizes pain and poverty.
IV. Evaluation
The delivery of the dialog is good, the market understands it. The movie used the AKA goal; Intoy to Intoy Syokoy. Jm De Guzman swam like a very skilled Marino and acted with his heart. The actors were good; they acted not exaggerated yet not less.
The movie was inventive and quick that made a lot of detail. It also showcases real life situations, on how people survive in this particular kind of environment.
VYEHNA DENEECE R. RIVERA
202A ABMC